Tom Lincoln
18 articles
Theon Cross
He enters the stage through the crowd carrying his tuba and proceeds to, almost exclusively, let the instrument do the talking. It’s a bold but excellent choice.
Martin Noble-James, Organiser Zero Bpm Drone Festival
PREVIEW: ZERO BPM drone music festival, Church Piano Bar, Norwich, 25/5/26 At the end of the interview are links to tickets/further information about the festival - hopefully see you there!
Bridget Christie
The combination of personal anecdotes and irate bafflement at our current cultural, social and political mess works well
Norwich Film Festival - International Mix
Five short films dealing - in wildly different contexts - with the tensions between autonomy and connection.
Alan Sparhawk (Of Low)
An evening of extraordinary, compelling music at the Arts Centre.
Bbc Singers
Stunning semi-improvised sections made for a compelling listening experience, enhanced by some stunning solo singing.
Ebi Soda (Norwich Jazz Festival)
The six-piece band are completely captivating.
Sean Shibe
An engrossing, excellently programmed, performed and contextualised, selection.
Jerron Paxton
There is something so utterly compelling about his stage presence and his connection to the present moment, that the idea that there might be something anachronistic about his music seems absurd
Simon Munnery
I was frequently amused, and remained engaged throughout, but I don’t think that I was able to indicate my appreciation in a particularly audible way. Hopefully this message will go some way to redressing this, as I am confident that I will remember last night for far longer than the other meetings I attended this week.
Chuck Prophet
Prophet’s onstage persona is entirely consistent with the combination of rage and hard-won jubilation that typifies his music.
Sergio Díaz De Rojas
Thoughts of beauty, fragility and hard-won calm and gratitude emerge from this music
268 Years Of Reverb Nnf 2024
I am glad that I spent eight hours of my Saturday sitting in the Octagon Chapel while two musicians (James McVinnie and Eliza McCarthy) took turns to maintain a bizarrely engaging continuous drone on the pipe organ. This was the world premiere of Jonny Greenwood’s (Radiohead, The Smile) composition and, as far as I was concerned, by far the most intriguing event of this year’s Norfolk and Norwich Festival.