Callum Gray

They’re impressively tight and obviously great musicians. A whistle stop tour of their discography really highlights their talent as writers too. It’s harsh and defiant.

It was a good showcase of a few bands from Australia that are doing indie music a little bit diff

Intelligently structured and intense surmises the music of the evening

As a performance, it’s difficult to categorise – it slides between gig, clubnight and art show.

After an explosive delivery of ‘Serafina’, they slip into the operatic closing track on Stray ‘Machete’.

Extraordinarily talented musicians in their own right, they craft beautiful soundscapes that fill the former church in a way a building like the Arts Centre was designed for. There’s a certain meditative quality.

This gig really showed off the diversity and capability of Norwich bands for riotous attitude. With excellent support from Goldblume and Swing and a Miss, it was a robust noise-filled evening, everything from the precise angularity of Red Mar, driving rock of Goldblume to the snarling sleaze rock of Wreck. As with all great live music, predictability was left by the wayside.

‘It was a happy accident’: Ollie Judge of Squid on touring, covid-19 and his creative process.

After a disrupted opening in the spring, the Sainsbury Centre’s Art Nouveau exhibition has at last opened its doors to the public. Although, not in the way you’d probably expect.