Ulrich Schnauss // Missing Deadlines

Since the release of his debut album in 2001, German native Ulrich Schnauss has created music that carefully absorbs his influences (primarily shoegaze, electronica and ambient techno) and re-interprets then to produce a unique new sonic blend. Missing Deadlines is, strictly speaking, a compilation of remixes of other peoples work. However, regardless of whether he’s re-tuning indie band Howling Bells’ ‘Setting Sun’ or Madrid’s psych-tronic ‘Out To Sea’, he manages to give each track a twist that is unmistakeably his own. It’s very easy to turn out shoddy, beats-by-numbers remixes, but thankfully Schnauss has taken the time to blend elements of the original compositions with his own signature sounds, including reverb heavy vocals, complex synth patterns and euphoric beats. This attention to detail gives a coherent feel that allows the character of the original to shine through, whilst taking you on Schnauss’ uplifting, otherworldy journey. It’s also pleasing to see he’s selected his favourite tunes, rather than simply including the more famous bands he’s worked with. This means we’re given the opportunity to explore dream poppers Asobi Seksu rather than hearing more Coldplay, which adds up to an inspiring collection that I’d heartily recommend.